Artist Statement
I am a Cree Métis contemporary abstract encaustic artist, sculptor, and instructor based in Chelsea, Quebec. I work from my studio at La Fab Cultural Center.
My work is often described as having a deep, evocative quality, and I strive to bring that emotional depth and connection into every piece I create. I work with layers, both in terms of the materials I use and the process itself. I love creating rich textures, 3D elements, and find inspiration in nature. Recycled items and found objects are often incorporated into my work, reflecting my belief that beauty and meaning can emerge from what is overlooked. My layered, fragmented textures evoke the passage of time, speaking to decay and subtle transformation, while capturing remnants of history, memory, and quiet stillness. This combination ensures each piece is unique and deeply personal.
I’m also passionate about sharing what I’ve learned through teaching. I offer in-person workshops and teach online, including private Zoom sessions for remote participants. In my workshops, I guide students to create art that is authentic and connected to their inner selves. I believe art should come from the soul, so I encourage my students to release expectations and connect intuitively with their creativity. It’s not about following a set path; it’s about the process of discovery and letting go of control.
Originally from Saskatchewan, my artistic journey began in the vast, open landscapes of my childhood. I spent much of my time outdoors, where nature became my playground. The quiet space allowed my imagination to thrive, and I learned how to listen deeply to the world around me. That connection still influences my art, whether I’m capturing the essence of nature or responding to the materials in front of me.
Primarily self-taught, I’ve had the privilege of learning from talented artists both locally and internationally, and I continue to grow and refine my practice. I love experimenting with new ways of creating, especially with encaustic. There’s always something new to explore, and every experience—big or small—helps me deepen my understanding. I’m always open to learning, whether from others or in the quiet moments when I’m alone in the studio, listening to what the materials and the process are telling me. Sometimes, I even turn the lights off while creating, allowing the piece to move me rather than the other way around. The spontaneity of that process often feels magical, and the unexpected beauty that emerges is something I truly enjoy.
About Encaustic
Encaustic painting is an ancient technique rooted in the Greek word enkaustikos, meaning “to burn in.” This process involves layering molten beeswax mixed with pigment, then fusing each layer with heat. The result is a richly textured surface that can be smooth and luminous or built up to create depth and dimension.
Dating back to the first and second centuries A.D., encaustic was famously used in the Fayum funeral portraits of ancient Egypt—artworks that have endured for centuries and can still be seen in museums today. The beauty of encaustic lies in its versatility; it allows for translucent layers, bold textures, and organic fractures that bring an almost sculptural quality to the work. Each piece becomes a unique interplay of light, form, and history.
